DAVID PATRIKARAKOS: How Hamas will exploit internet conspiracy theorists who deny Kfar Aza massacre as part of its ISIS-style crusade to destroy Israel and set the world ablaze.'Oh my God, they've got my brother!' Shocked Israeli reveals how he spotted his sibling in a Hamas propaganda video after he went missing when music festival was attacked.Gaza 'on the brink' as rockets rain down and Israel's blockade leaves its 2.3 million residents without electricity, internet or running water.as the BBC refuses to brand murderers 'terrorists': Charles blasts 'barbaric acts of terrorism' while William and Kate support Jewish state's 'right of self-defence' - as row breaks out over corporation's war coverage Four of Britain's top lawyers make Ofcom complaint about BBC's refusal to label Hamas 'terrorists' after attack on Israel - as they accuse corporation of abandoning its impartiality.Netanyahu says every Hamas member is a 'dead man': Israeli Prime Minister vows to 'crush and destroy' militants who he says have beheaded soldiers and raped women.writes Colonel TIM COLLINS, drawing on the lessons of Iraq and Northern Ireland I fear a full-scale invasion of Gaza by Israel will end in a bloody quagmire.This is Israel's 9/11, but so many of my 'good' Left-wing friends say nothing or, worse, that the Israelis deserve it NICOLE LAMPERT: I've never felt so frightened being Jewish in Britain.Captain Tom's daughter admits pocketing £800,000 from three books written by veteran who helped raise £39million for NHS - as hero's family reveal their 'regret' over spa and pool complex at their £1.2million home. Interview with Bernie Taupin produced by Ben Edwards. Listen and subscribe wherever you get your podcasts. The full interview with Bernie Taupin is available on our podcast, Q with Tom Power, where he talks more about his creative partnership with Elton John. The song worked out as a testament for, you know, live fast, die young, leave a beautiful corpse." I mean, I hate to disappoint people, but yeah, I was never a big Marilyn Monroe fan. "My house ended up looking like Joe DiMaggio's basement. "Lobby cards, posters, books, I mean, Elton himself sent me a huge dress form mannequin that all her dresses were made on," Taupin says. And she's more of the sort of fragile flower."īut after releasing Candle in the Wind, people assumed Taupin was a big fan of Monroe's and sent him "all of this god-awful memorabilia." "Maybe Marilyn Monroe might be a better idea because she's more iconic in the minds of the masses. "After some thought, I thought maybe Montgomery Clift is not the best choice if you're going for some sort of commercial appeal," he says. Originally, Taupin wanted to write Candle in the Wind about Clift, who he thought "was such a cool cowboy" in The Misfits, and who also died at a young age about four years after Monroe. But it was the one song that we went, 'Yeah, this is the direction we should be going in.'" Then we wrote this song called Skyline Pigeon. It was our kind of blue touchpaper, it gave us some notoriety…. "The first single that we ever put out was an atrocious piece of middle of the road crap, and then after that, we wrote a song called Lady Samantha, which the BBC kind of took to. "And then, obviously, you know, Reg Dwight became Elton John and we started making records," Taupin recalls. When the producer Steve Brown came to Dick James Music, he told Taupin and John they should "forget this middle of the road crap" and to start writing for themselves. But at the same time, you know, we were experimenting on the side with a different kind of music." The first single that we ever put out was an atrocious piece of middle of the road crap. We were signed to to write songs for middle of the road artists who were current at the time … and we were trying to do that in order to just make our paycheque every week. "In the early, early days when we first got together, we were sort of torn between two worlds because this was Reg Dwight before he became Elton John. "That would be a song called Skyline Pigeon, which was on our very first album, Empty Sky," he says. But what was the first song they wrote that made Taupin think they had something together? Taupin and John have an interesting creative process, where the former writes the lyrics and the latter writes the music, often in separate rooms. On the first song he wrote with John that made him feel they had something special
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